Showing posts with label E8. Show all posts
Showing posts with label E8. Show all posts

4.17.2012

Rango (2011) - M7.4/E8



I almost didn't see this movie.  The only reason I ended up seeing it (and so soon) is that it is currently on Nexflix Instant!  I'm glad I saw it too.  Despite the negative reviews from others (including Uncle Orson), I really enjoyed this movie, though would not recommend it for young kids, even though it is an animated PG-rated film (again, no thanks to the MPAA for consistency).

[Slight Tangent: How do movies like Kung Fu Panda, Despicable Me, How to Train Your Dragon, and Tangled get mixed up with movies like Rango and Shrek (1,2,3,4) - all rated PG?  Well, for one, there's never a clear line between one rating and another other than the types of swear words allowed, and that seems to be it. (I know Shrek didn't have much, if any, swearing; but the bathroom humor and off-color jokes were rampant).]

Rango has it's fair share of swearing for a PG-rated animated flick as well as some inappropriate comments for younger kids; but for those of us desensitized or mature enough, there's plenty to enjoy.  The number one thing I loved about Rango was the musical score provided by the mariachi owls.  I just might go out and buy the soundtrack.  It's not filled with popular music, but a vivid latin/mariachi sound that really draws you into the story and brings you right a long for the "riiiiidde".

I struggle with writing about the morality of movies.  People don't go to a movie to be educated or morally uplifted, they go to be entertained.  Hopefully the people that actually read my posts are looking for more than entertainment, but are actually looking for ways to deepen their movie watching experience.

There's a big difference in being entertained by a sporting event or the circus and watching a movie or reading a book.  The latter two have a lot of power to influence our lives for good or bad.  The spectrum of evil and good in these media is so much greater than in any other venue for entertainment.  This spectrum of Good and Evil is necessary to help us learn, it provides a laboratory where our thoughts can see the consequences of good/evil without us actually experiencing the consequences (providing the director/screen writer/author are competent enough to do this).

So, back from another tangent, there were a few quotes that really helped the movie make a lot of sense in my mind and really brought the "ride" to a point.  Of course, it all comes when Rango has hit bottom; he's been revealed for who he really is, just a lonely lizard who never had any real friends and not a gun toting sheriff.  He finally meets the Spirit of the West and is taught some important lessons that are not just trite platitudes, but really bring all the events of the story together.

The alabaster-carriage-driving Spirit says to Rango, "No man can walk out of his own story."  Rango's experience in Dirt wasn't an imaginative experience, even though he was acting the majority of the time he was there.  His actions and confidence touched real people and made real differences, it wasn't just one of his plays he rehearsed back in his lonely terrarium.  He needed to realize that.

Secondly, Rango's told that the people saw what they needed to see.  They needed a hero, so that's what they saw in Rango.  He filled that part well, even if he didn't believe he was a hero from the start.  Sometimes we need to get outside ourselves and be there for people in need.  When we stop lamenting about how pointless our life is and try in some measure to fill the voids in others' lives, we actually become somebody. (I'll have to watch the movie again to figure out exactly what was said and to whom it was said, but I think this covers the gist of it).

Last word, check it out, you might enjoy it.




3.19.2012

The Lincoln Lawyer (2011) - M6.2/E8



I haven’t read any Michael Connelly books, but I’m guessing they fit right in there with Grisham’s best legal thrillers (of which I’ve only seen the movies). This was a well done movie and even more enjoyable as I’m just being introduced to the TV series the Firm (even sharing Josh Lucas with this movie).

I’ve always wondered about defence attorneys. How can someone defend a person who has committed awful crimes? This show made me remember (along with the Firm) that we believe in innocence before proven guilty. That proof is offered in court and often decided by a jury. Even the alleged criminal deserves justice, and shouldn’t be labelled a criminal until decided in a court of law. (It could be argued that not all criminals are caught, and thus not “alleged,” but that’s not the point of this short insight.)

We tend to sympathize with the victims of crimes, which can easily cause us to demonize those who defend their aggressors. But I like the thought that everyone deserves a fair trial. Our justice system was created with the thought of “innocent before proven guilty.” Which is why, for example, it’s unlawful to target American citizens for assassination without a fair trial. Our laws and justice system aren’t meant to prevent bad things from happening, it is a reactive system. If we want dangerous people off the street, we need to figure out lawful ways to bring them to justice and prevent them from pursuing more evil.

Back to the movie, Mick Haller isn’t the noble lawyer that Mitch McDeere is in The Firm, but his nobility does shine through his sleaziness as he gets entwined in his new client’s case. When what he values most is in danger (his and his family’s lives) he straightens up and is able to put evil in its place. His gratitude shines through as he offers to work pro bono for one of his shadier frequented clients who’s team of motorcycle buddies do Mick a huge favor. The resolution may not come as much of a surprise, but it’s the journey, not the end results that make the movie a fun, worthwhile experience.

Mick and his wife appear to be separated, though not totally distant.  However, all that they end up going through and Mick realizing how much he loves his family, makes it possible to believe that they'll try harder to make things work.  This isn't really a main point of the movie, but another good thought that adds to its value.

Do be aware that there is some strong language and a few scenes of violence, but the overall content is extremely mild considering the rating this show received.

2.16.2012

Calamity Jane (1953) - M7.8/E8



This a fun family film. This movie is probably the main reason I’ve never really enjoyed Doris Day in other movies; her character in this movie is just ingrained in my mind as who she must really be. The music is good and the comedy keeps coming. The relationships are believable and true, almost standard; yet at the same time fresh interpretations of love and friendship.

The majority of the movie takes place in a bar/gentleman’s club, which isn’t the best setting for a family film. I had to explain to my daughter what it was that every one kept drinking (is telling her that it’s juice bad? In reality I doubt they had real alcohol on the set...) She knows that drinking alcohol isn’t good for us, but at her age it doesn’t matter who the person is, that person is a bad person if they’re doing something that my daughter is told not to do. So for the sake of allowing her to enjoy the movie, we fibbed. She’ll figure it out soon enough.

The movie focuses a lot on the female image. Calamity is a rough, saloon-frequenting, stage-protecting woman who is often confused for a man. It isn’t until she begins to understand what it is men actually want to see in a woman (and her own growing gender-awareness) that she feels that it’s time for her to change if she ever hopes of winning the heart of her Danny.

To some, this idea of femininity may seem appalling. However, I think it’s important for women to focus on their own natural characteristics instead of trying to become and do everything that a man is and does. Men and women are different for a reason, and there’s nothing wrong with that. Sure, the world tends to paint the picture as man being “better” just because they tend to be stronger and bigger, but if you rely on the world for your definition of man and woman and don’t have a strong understanding of your own individual self-worth and identity, it’s easier to give in and clamor for equality.

At any rate, this is a great show for the whole family. Music, Indians chasing a stage, gun fire, drinking, dancing, you name it... Check it out while you still can on Netflix Instant.

12.19.2011

Mission Impossible: Ghost Protocol (2011) - M5.4/E8



I have to say my initial desire to see this on opening night at an IMAX theater 45 min. away was for the prologue of the Dark Knight Rises, and it was well worth it.  I'm even more excited to see it this summer, and I was pretty stinking excited to see it in the first place.

Mission Impossible 4 on an IMAX theater was pretty amazing, and a lot more intense than it would be in a regular theater (which I loved, but my wife did not).  The opening sequence with breaking Ethan Hunt out of a Serbian prison was mind blowing and had enough neck cracking and bone breaking to set anyone on edge.  The follow-up credit sequence and theme song by Giacchino was excellent.

I liked the fewer corny lines in this one compared to MI3 (Dunn provided a good balance of comedy); and there were a lot fewer cliche Mission Impossible scenarios going on here too.  The missions up to this point seemed to be pretty much the same.  It's introduced as an unthinkable mission (breaking into the CIA, or some other top secret place), and everyone is flabbergasted at the thought, and then Ethan says something like, "It gets much worse..." and then he goes on and explains the unbelievable security that they'll have to breach, and then they do it.  This one had similar elements, but the unexpected circumstances under which they were required to operate made the film more engaging and interesting.

[***Spoiler Alert - Read on if you've already seen the movie, or don't plan on seeing it***]

I was a little bothered at first when it was insinuated that things didn't work out between Ethan and his wife.  The entire third movie was based on their love for each other and willingness to die for each other's safety.  I was very relieved when we find out what really happened with his wife (the second revelation, not the fact that she died, though even that would be better than just leaving her).

The team work that resulted from a haphazardly assembled team was very well portrayed.  Everything didn't just work, they had to work out differences, learn how to work together and trust one another in order to accomplish their mission.  Ethan did a good job as the team lead by not forcing people to cooperate or penalizing them for not working well; he just did the best he could and expected them to follow suit.

Definitely worth seeing in the theater, try IMAX if you have the option.  No sex/nudity, language was better than a lot of PG-13 shows, violence was the main contributor to the rating.

11.28.2011

Taken (2009) - M5.0/E8



This movie was awesome. Everything I expected it to be and more (which expectations I try to keep to a minimum). I had to keep telling myself to breathe and relax and enjoy the movie. This is one of the best action movies I’ve seen in a while.

The beginning of the movie does a great job at getting us to feel sympathy for and understand the love that Bryan Mills has for his daughter, Kim. This sympathy largely stems from the super-annoying ex-wife who has her head in the clouds and apparently cares little for their daughter and has the utmost disdain for her ex-husband, in particular with regards to his over-protectiveness. While Bryan’s over-protectiveness is attributed to his previous career as a CIA black ops agent, I would hope any competent, loving father (and mother) would be equally protective and concerned. (I liked seeing Uncle Rico in this as a buddy of Bryan’s.)