Chronicle (2012) - M6.8/E7

This is a story about three high school teens who gain telekinetic powers. As they attempt to strengthen and control them, they soon realize that having special powers doesn’t really change who you are, it doesn’t make you popular or likeable; and in some instances can amplify your true feelings.

This was a cool movie. Even though it was purely filmed by a hand camera, it was not headache nor nausea inducing. While it did get a little annoying that they had to keep reminding us why everything was being videotaped, it made the story more real (even though it’s based on some fantastical events). The filming wasn’t the only thing that made it feel real, the acting and interactions of the main characters was really believable. That being said, I didn’t feel as fulfilled or entertained as I did after watching something like Mission Impossible 4, where you have a well polished, produced movie with outstanding special effects, that was meant to take you away from reality into a fictional realm.

I think I enjoyed the first hour or so of the movie the best. We see the boys just recognizing and experimenting with their powers. Each new surprise is a surprise to us, and makes it feel like we’re there sharing their experience with them. The pranks they pull are pretty funny, too.

Andrew’s character was the most intricate one in the film. We understand his pains, not necessarily because his pains are common, but because we’ve come in contact or can remember someone just like him from high school. One scene that really made sense, but at the same time was really frustrating was when Andrew gets after Steve for being his friend only because they now have something in common. Why else would you be a friend with anyone? Andrew is very self-deprecating and wants people to like him for who he his, not because they have something in common with him or because of some freak accident.

His dad (step-dad?) is constantly berating him and telling him what a loser he is, and it’s almost as if Andrew accepts that as his reality and any attempt at others to genuinely care for him is seen as merely fake.

We all have a desire to be loved, and not loved out of pity, but because others value who we are intrinsically in spite of/because of our many faults and weaknesses.

Due to the filming style, this show may not be for everyone, but we really enjoyed it. There is quite a bit of language, some violence, and talk about sex, but no nudity or explicit sexual scenes (contrary to what the trailer shows).

The Muppets (2011) - M7.8/E7

I know it's bad to go into a movie with any expectations.  Doing so can ruin the overall experience and limit the ability to fairly assess it.  I had seen most of the older Muppet movies and remember enjoying them.  From what I heard this was the Muppet of all Muppet movies, and I probably agree.  I enjoyed the movie, but was anticipating something a little more amazing than it actually was.  For one, it wasn't meant to be amazing, it was meant to be entertaining, and it was.

Thinking on back on some of the random songs sung through out (Muppet of a Man/Manly Muppet was great) and the interactive humor with the audience (pretty well done, considering that it wasn't performed live!) make me smile.  Though, my younger preschool age kids didn't seem to enjoy it as much as I did, I think there was enough slapstick humor and music for them to at least not dislike the film.

The overall plot of the movie (trying to bring the Muppets out of obscurity and back into the 21st century) seemed a little contrived, but from what I remember from other Muppet movies, not too far off from previous stories.

One interesting element in the story was the relationship difficulties between Gary and Mary and Kermit and Piggy - definitely over the head of preschoolers, and possibly a little too sentimental/emotional for my liking.  The film does try to do a decent job showing that when you know you love someone, it's foolish to let them leave your life.  Staying together means sacrificing some of your interests and desires and putting the interests and desires of your loved one above yours.  Interestingly, you don't lose your identity by doing this, you put faith in someone else to do it for you, which can do nothing but increase their love and concern for you.

Beyond romantic relationships, friendship is also brought up as we see Kermit and Walter try to round up the old Muppet gang and find out that they all wanted to be back together again, they just needed someone to initiate the process. 

I'm not sure how much longer this will be in the theater, but I definitely recommend looking for it to come out on DVD, and then make an effort to at least rent it, it's 98 minutes of well spent time.

Puss in Boots (2011) - M9.2/E7

I did not have high hopes for this show, especially not being a fan of the Shrek franchise (I stopped having a desire to watch them after Shrek 2). We got some free passes for a pre-screening and thought it would be fun to go as a family. Oddly enough not all of our kids enjoyed it, but my wife and I really enjoyed it. We were spared of bathroom/juvenile humor rampant in the Shrek movies, and were given a clever, inspirational animated movie, worthy of multiple views.  We saw it in 3-D, but there was nothing spectacular meriting paying extra for glasses, if anything it made our kids want to talk more during the movie.

The moral messages presented were much more complex than is typical in a children's feature. One particular event shows one of the characters being betrayed by a close friend and accused of breaking the law. This character, instead of seeking revenge or running from or fighting his captors, lets justice take its course to potential exoneration through the help and friendship of others. This is a topic I've been trying to comprehend myself. It seems cowardly to not step up and let people know they are in the wrong and that you are right, yet examples are plentiful in the scriptures of prophets (especially Jesus Christ himself) that are restrained by the spirit to not say anything to their captors/betrayers, knowing perhaps that whatever they say would be falling on deaf ears. This is what meekness truly is, it is not weakness by any means.

Beyond the events previously mentioned, we see further betrayal and revenge, beyond the simple "I'm upset at you and am not going to talk to you anymore."  These actions eventually turn into guilt and sorrow and a realization of what true friendship and brotherhood really is.

Dinner for Schmucks (2010)

Entertainment Rating: 3 of 5

I found myself laughing a lot more than I thought I would. If this were to have had Will Farrell or Jim Carey in it, I probably wouldn’t have laughed near as much. While there was a fair amount of needless crude humor, there was enough good humor to create an overall positive effect on our enjoyment of the movie. I don’t think I’d recommend it to anyone, just because I’d probably be embarrassed to sit through it with some people.

Swingers (1996)

Entertainment Rating: 3 of 5

Great music, ok story. Vince Vaughn really gets annoying here, plus the language is pretty coarse. If you can get past that, this really is a nice story dealing with friendship and romantic relationships.

Moral Rating: 3 of 5

Trent’s character is portrayed as the enviable one, with Mike being the lame, whiny friend who can’t get over his recent split-up with his girlfriend. Trent seems to be a valuable friend, in that he doesn’t abandon Mike, and frequently tells him how “money” he is, but Trent seems to miss what Mike really needs. Mike ends up finding out what he needs on his own through making his own mistakes and discoveries. Because he does this by himself, he ends up happier in spite of all the help his friends were trying to offer him. It’s a big plus that the climax romantic relationship in the film has nothing to do with sex (at least through the end of the movie), is not shallow, and brings genuine happiness to Mike.

Besides the language pulling the moral rating down quite a bit, the positive message of quality relationships shines through.

Forever Strong (2008)

Entertainment Rating: 4 of 5

This was a lot better than your typical movie about an underdog team that rises to the top and ends up winning some championship. Even though this didn’t get great reviews from the critics, we really enjoyed it and learned something from the experiences of Rick, Rick’s dad, and the coach. Definitely a show worth watching with your family of older children. The action scenes were great, they used college-level rugby players to represent the team, which made it that much more fun to watch.

Moral Rating: 4 of 5

The great thing about this movie was that the triumphs presented were more focused on the individuals instead of the dominant rugby team; we really didn’t care who won the championship in the end. While maybe the storyline was a bit predictable, what wasn’t predictable was the way the characters changed to create the expected end result. The changes in Rick and his dad may have been somewhat expected, but seeing how the film portrayed those changes really touched us.

I think I’d put this up as one of my favorite sports flicks.

The Young Victoria (2009)

Entertainment Rating: 4 of 5

The beginning of the movie was a bit confusing with it jumping from one moment in time to another and introducing different people left and right; as the movie progressed things made much more sense and we found it very enjoyable. If you enjoy movies like Pride and Prejudice there’s a good chance you’ll really enjoy this one. The film might be classified as a romance, but that definitely is just a small portion of the movie. It is really about Queen Victoria’s maturing from a child into an adult and learning how to balance her high position with being a wife.

Moral Rating: 5 of 5

There were a lot things we enjoyed about this movie, particularly because of its moral and educational value. The movie was mostly about Victoria’s maturing from a child to an adult and how she learned to take on her royal duties. She had to assimilate quickly to the life and responsibilities of a queen. At first she confused stubbornness with strength and used it to control her decisions by rebelling against those closest to her who tried to give her advice, fearing that they were using her as a pawn. Later, Victoria understood that being stubborn does not signify strength or wisdom, and her decisions needed purpose behind them so that the people could see that she ruled on sound principles, and not because she favored one person over another.

Through many mistakes and grievances Victoria learned who her friends really were. She was taken advantage of by the Prime Minister at first, because of her naivety; and due to her stubbornness it took a while for her to see it. Luckily the Prime Minister had a change of heart and realized his unrighteous influence and gave her some of the best advice regarding her duties as queen and wife.

Lord Wellington: My guidance has not always been faultless, and I am sorry for it. But I speak to you now truthfully.
Queen: I know
Lord Wellington: The prince [Albert, Queen's husband] is a good man, a better man than any of us knew. I know he does not think as well of me, but my vanity is not the issue here. He is able, he is clever, and he is faithful. Let him share your work.  [Up until this point the queen had a hard time letting anyone assist in her work.  She felt threatened that everyone was trying to take advantage of her and use her for their own selfish interests].

Lord Wellington then gives her one last task to help make the prince “feel truly welcome”: to get rid of the baroness who has served as somewhat of a nanny for the queen and had not treated the prince well; she was seen as somewhat of a threat to his rightful place as patriarch of his family. The queen takes the Prime Minister's advice (asked the baroness to leave) and had her husband’s desk moved in with hers, signifying to Prince Albert that she was going to accept the help that he had to offer, and would make the effort to overcome the confusion between her duties as queen and that of his wife.

Like any married couple, the film displayed some possible sources of contention between Albert and Victoria, but through them we see Albert’s good character, patience, and love for his wife, the queen.

Albert also exhibits a good work ethic and is not willing to just sit back and watch people do things for him. He had a great desire to change things (in his marriage, the palace, and the country) for the better.

This isn't a "knock-your-socks-off" film, but it is incredibly inspiring and well done.  It would be well worth your time to sit through and later reflect on the important lessons presented.

Harry Potter and the Deathly Hallows, part 1 (2010)

Entertainment Rating: A

The show was great. If anything, I’d agree with Orson Scott Card that the movie is better than the book because it keeps a good pace and doesn’t linger on some of the lengthy details. There are quite a few “jump” scenes that I think help make it worth seeing the film in the theater, don’t wait for DVD.

Moral Rating: 3

The presentation of good and evil hits a climax in this last installment(s) of the Harry Potter series, and the film does a good job of displaying it. I can’t say that it really struck any chord with regards to making me want to become a better person. The friendship between Harry, Ron, and Hermione displayed some good examples of real-world conflicts that can arise and how we can overcome our own selfish behavior in light of a greater good (the friendship itself over our own immature feelings).

In particular, even though Ron and Hermione are “together”, because Harry’s the focus of everything we can understand how Ron might feel a little cheated for attention from Hermione. So when Ron leaves out of frustration, it’s not a real surprise. What is a surprise (even though it was the needed thing to be done, but required quite a bit of courage and humility) is to see Ron return and ready to try to overcome his silly teenage jealousy and practice being a true friend.

Regarding the supposed nude scene in the movie, I think Orson Scott Card addressed the matter quite well:

“You may have heard of the mini-firestorm (a candlestorm?) over the "nude scene." My first thought had been, Why would the producers add a nude scene to the story?

Then my daughter reminded me that the scene in question was in the book. It comes when Ron, under the evil influence of one of Voldemort's horcruxes, pictures Hermione, the love of his life, in the naked embrace of his best friend, Harry Potter.

Of course, naked in a book is not the same thing as naked in a movie. In the book, you can gloss over it as long as the writing is not explicit; but in a movie, the actors are really naked, and there they are on the screen, second after second.

Still, the filmmakers did a fairly tasteful job. There were no more body parts visible than you might see on primetime TV, and a lot less than in the SPORTS ILLUSTRATED swimsuit issue. There was nothing arousing about it -- the whole thing was just to show us why it was making Ron so crazy.

Could they have cut the scene or made it even less nude? Maybe, and if some viewers decided to stay away because it's there, I won't argue with them. But I was not offended or even made uncomfortable with it. No child is going to learn (or even guess!) the facts of life from the scene. But it's the parents' call.”

I can’t say that I was offended or uncomfortable because of the “nudity” but it was a bit odd seeing Harry and Hermione together. The dance scene was fun, but the end was a little too awkward, it just didn’t jive with me (whether it was the characters or the actors’ portrayal of them I’m not sure).

One Flew Over the Cuckoo’s Nest

Synopsis

R. P. McMurphy gets thrown into a mental institution for being purely lazy and rebelling against authority. He tries to lighten the spirits of the mental patients by playing cards, basketball, sneaking out of the asylum, etc. His attempt at creating a more enjoyable experience inside the place is constantly repressed by head nurse Ratched.

Entertainment Value - B

This was an alright show (if you like Cool Hand Luke, there's a chance you'll like this one). I don't know why this got all the acclaim it has received, I didn't think it was outstanding (I'm going to guess it has something to do with the cinematography like Citizen Kane). Jack Nicholson's character doesn't seem to change from one movie to another, maybe he just gets casted well. If you want to see this because it is highly acclaimed (like I did), you might be a little disappointed.

Moral Value - Failure to Communicate? - 2

[Spoiler Alert]

I thought some of the themes were very similar to Cool Hand Luke: A man gets imprisoned for not caring much, gains the affection of his inmates, gets broken, ends tragically.

Not sure why nurse Ratched is one of the most popular screen villains. She is extremely indifferent and cold, but you'd have to be in order to keep your sanity working in a mental institution. Her handling Billy at the end was awful; knowing his suicidal tendancies and then threatening to report him to his mother was a deathly mistake.

McMurphy and the other patient's pressure to get Billy to sleep with McMurphy's friend was completely childish and stupid. There are glimpses of McMurphy's "good" side throughout the film and you think that he might turn out to be a blessing to the place, but ends up just a curse.

Chief Bromden (not sure if Chief is his first name) should not have killed McMurphy at the end. I know it was supposedly a good act, maybe could be considered euthanasia of some sort (for those who think euthanasia can be good). Chief didn't want to leave seeing McMurphy in his broken condition. To Chief, McMurphy was a type of hero, and he imagined them escaping the place together. Since that was no longer possible in McMurphy's condition, this act of "liberation" was symbolic of the two of them leaving together - possibly meant to be poetic, but I thought it was kind of twisted.

The one good thing that came out of McMurphy ending up in the asylum was his attempt to get all the patients in the place to pretend like they weren't there. Anytime the nurses reminded them of their condition/location, McMurphy would rebel and end up lifting the spirits of those around him (a classic scene is the baseball game). McMurphy eventually ended up getting carried away and realized too late that he had gone too far. There are responsibilities that must be taken in our lives, especially when we interact with others and most importantly when they hold us in high regard. We are a light on a hill whether we want to be or not. Others look up to us, and most importantly God has high hopes that we will realize and fulfill our great potential as part of the human family.

The Princess and the Frog

Synopsis

A lazy prince turns into a frog and must get a princess to kiss him before he remains one permanently. When the frog mistakenly kisses a servant girl dressed up as a princess, she too becomes a frog, and together they must find a princess for him to kiss.

Entertainment Value - B

Great jazz music and humor; an all around fun story. Definitely different from all of Disney's other princess stories.

Moral Value - Failure to Communicate? - 3

The message presented isn't very strong. We're somewhat shown the importance of a good work ethic and gaining an education. There's quite a contrast between the work ethic of Tiana and Prince Naveen, the former works too hard and the latter plays too much. The two learn that there must be a balance between work and play.

We see a good model for friendship between Tiana and Charlotte. This relationship is important in not only overlooking racial barriers, but also class barriers which can sometimes be hard to overlook without the rich person becoming too condescending or the poorer one too covetous.

Tiana and Prince Naveen fell in love way too quick, even for a fairy tale. In less than a day they go from having nothing in common to falling in love. Maybe some relationships don't need years (or even a year) to mature before feeling ready to take the plunge into marriage, but a day is ridiculous. (This would be a fault in many princess movies - Sleeping Beauty, Snow White, and Cinderella; but there are some good examples of developed relationships with Beauty and the Beast and Enchanted, to name a few.)

The Shadow man (villain) was a little dark with all the voodoo and communicating with "the other side" (not sure if this meant just those dead, or more likely dealing with the dark, shadowy side with the devil and his minions). Though dark, it did seem rather fitting with the setting being New Orleans, but might be a little scary for kids afraid of shadows.

Up

Rating: 5

The first 15 mintues or so of the movie really draws you into the happiness the Frederickson's had in their lives despite the inability to fulfill their dreams of exploring South America. Their hardships are what really drew them close together in their marriage. Throughout the story you see Mr. Frederickson's continued love for his wife and how her love for him encourages him to love and serve others. Ellie's enduring love for Carl helps him gain the courage to befriend and help Russell and Kevin. These concepts are very applicable to any marriage. Once either partner in the marriage starts trying to figure out "what's in it for them," they lose their focus of loving and serving their spouse and children, putting the relationship at risk.

One of my favorite parts is when the old man is flipping through his wife's scrapbook and discovers that she had filled in the Paradise pages (saved for their dream vacation that they never got to do) with pictures of their life together. To her, life with him was her paradise. *Sigh*

There is a conflict between good and evil in the film, but the real conflict is within the old man. Learning to live with the passing of his wife and living his life to the fullest, not letting his time waste away is what continues to make him happy, even in the absense of his wife. We whole-heartedly encourage you to make an effort to see this if you haven't already.

Once

Rating: 5

Disclaimer: Our moral rating and comments only apply to the edited version of the film.

Brilliant! I wish I had watched this in the theaters, or at least with a better quality sound system. I loved every minute of the music and story. What's even more amazing to find out is that the lead actor wrote and performed all the songs himself.

This was a very simple story about characters who lead anything but simple lives. It is inspiring to see how they grow close together and decide to face their challenges instead of run from them. The girl's choice to try and repair her marriage was admirable for two reasons. First, with divorce running rampant these days, it would appear that fewer people are willing to try and make things work. Second, it is even more rare to see such a courageous decision depicted in modern film.

We whole-heartedly recommend this film if you have some way to filter out the language (which is what we understand is behind the R-rating of this film).

Casablanca

Rating: 5

Luke

I had forgotten why this is considered one of the best movies of all time. I remembered that it was a romance with a lot of famous lines ("Here's looking at you kid" or "We'll always have Paris" or "Play it again Sam", though the latter was never actually said) and I was anxious to introduce it to Carr. I was very pleased to be reminded that this is another one of those movies like Guys and Dolls that teaches a wonderful moral lesson in a very entertaining way.

Even though the love affair (and we learn from these older classics that "affair" doesn't always mean that someone has comitted adultery/fornication) was purely honest and in no way deceitful, Humphrey Bogart knows what his morals are and sticks to them. Even though Bogart's life has been torn apart by Ingrid Bergman's unexplained withdrawal from his life, Bergman's desire to return to him causes his love to be rekindled and we see that it is a pure love, one that permits him to act in the best interest of both her and him.

Carr

The hard part is that both guys are good guys. Nowadays the scenario would be that the husband is some evil guy and thus not only make it "ok" for something immoral, but have the audience rooting for it. It's so nice to see the good moral decisions being made and shown as the right choices. However, as in "Guys and Dolls," it is interesting that it is the man who has the courage to do what's right and the woman is shown as too weak to make such a decision on her own. It'd be nice to see the girl stand up on her own two feet for once!